This Finnish brand is here to challenge price transparency in fashion.
By Evelin Kangur
Read MoreIn Finland, radical transparency is making waves in the clothing industry. With their seasonless style and Nordic grace, as a new brand in the market, iluut aspires to make ethical design more accessible to all customers. Who would deny introducing a pinch of minimal elegance into their wardrobe? iluut is comprised of a female trio, with their feminine enigma focused on building awareness of affordable slow fashion. Having just launched their web shop in early 2017, we wanted to know more about their journey towards the brave way of entering ethical fashion industry.
Describe iluut's debut collection in 3 words.
Timeless, traceable and affordable.
What are the attitudes circulating about sustainable fashion in Finland?
The Finns are paying more and more attention to making sustainable purchases, especially people living in major cities today show interest in buying clothes from smaller sustainable brands. However, iluut aims to expand further in Europe, and it’s great witnessing sustainable supply increase; there is something for everyone nowadays. We also think we have a great duty of educating people and building awareness of the difference between fast and sustainable fashion. We can’t wait for the day when sustainable brands really make a breakthrough and get a bigger market share. We are working hard for that.
What are the main complications you've faced when setting up iluut?
At the very beginning, it was very surprising how difficult it was to find high quality, sustainable woven fabrics that have been made in Europe. We wanted to find fabrics that are fully traceable; meaning they come to us directly from the farm. We truly appreciate full transparency, because we believe it could decrease fashion’s biggest ethical and environmental problems, such as use of child labour, unsecured working conditions, dangerous chemicals and industrial pollution. In summer 2016, we made a European tour and visited a family-owned Italian fabric manufacturer, Albini. We are proud to say that our customers have so far been very happy with the quality of iluut clothes. Currently we are looking for new sustainable fabric options for the dresses we are developing.
What are the benefits of a minimal capsule wardrobe?
Minimal style looks fresh from year to year, and it’s very easy to combine. That means you don’t need so many garments, because with less pieces you can create many different kinds of looks that last throughout the years. It cannot be a conscious choice to produce something that people won’t wear anymore in a couple of seasons, and that will turn into more waste.
Who and what were the main influencers and influences iluut took note of since its inception?
Our whole team of three ambitious women loves fashion, but thinks that making beautiful things shouldn’t harm people. Last summer, we were fortunate to meet a pioneer designer in sustainable fashion, Marina Spadafora. She has been designing for high-end Italian brands, such as Prada and Miu Miu, before deciding to become a sustainable fashion advocate and a part of the Advisory Committee of the Fashion Revolution global movement; always including a strong social and environmental focus on her work. We take inspiration from people like Marina; people who have started doing things differently to really make a change.
How does iluut differ from many other Scandinavian brands trying to conquer the ethical fashion market?
There are only very few fashion brands that open the whole process of each garment: where the clothes were made and who actually made them. This is something iluut focuses strongly on, and we encourage others to do the same. We have also recently started designing two Spring/Summer dresses together with our Instagram and Facebook followers. We believe people will appreciate the clothes even more, if they can contribute to the process. Our aim is to be an open and collaborative brand that brings joy and value to its end customers.
Choosing an angle to improve social or economic conditions in Third World is widely cherished by brands to make a change in the fashion industry. What's your social mission?
At iluut, we want to work with companies that care about their workers and are willing to invest in them more than just on an average, distant level. For example, when we were looking for an atelier, we were convinced of our choice after finding an Estonian atelier with seven seamstresses, who are paid 40% more than the average workers in the industry. We started working on iluut aside of our daily jobs, and our margins are still low because our mission is to offer affordable sustainable clothes for everyone. How to make our mission happen? We need to rise the volumes and we just took the first steps towards that by opening our web shop, iluut.com. You are warmly welcome to have a look and make sustainable purchases.
What's the best season to be seen in your garments?
Fashion world rotates on the basis of seasons. That’s something we’re thinking differently: surely we’ll have clothes for different times of the year, but we don’t offer seasonal collections arriving two times a year. On the flip side, fast fashion brings new clothes to the market every week, which means compromising the quality and generating a huge amount of waste - both because the garments are not durable and get thrown away, and also because of the unsold stock left in stores. To improve the cycle, our goal is to bring something new to the market only once in around a month’s time, without compromising quality or workers’ conditions. Also, making clothes with a slower approach and seeing what sells and producing according to demand, allows us to avoid producing waste.
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What do industrial felt and fashion have in common? A beautiful harmony of effortless and durable design, as honoured by miDeer. Estonian slow fashion brand miDeer creates Nordic-style bags and accessories for every occasion. Their sleek designs are loved by men and women alike, serving as a seasonless and functional must-have for any urban fashion-lover. What’s it like in the world of miDeer?, we asked.
Words: Johanna Raudsepp
How did the journey of miDeer begin?
miDeer stems from our goal to pay homage to Scandinavian simplicity and elegance. We make modern Nordic accessories, interior design elements and have also introduced a line for children. What first started as a hobby of designing meaningful items for personal use, quickly grew into an independent brand — a brand living its own rhythm and life. The whole process has been thrilling for us — a real dream come true! We were thrilled by the idea of curating our own designer label and sparking conversation through what we do. Aesthetics-wise, we’ve always been enchanted by the power of simplicity. The pure lines, clear contours… that’s why minimalism and functionality go hand-in-hand throughout our miDeer line.
The term ‘sustainable’ in design can be confusing. What’s your take on sustainable design?
For us at miDeer, practical, timeless, and slow fashion is super important. With this attitude and the aesthetics, we try to promote buying less, but good quality items that will last you ages. Our minimalist style enables our customer to mix and match with a variety of other styles as well.
How have you incorporated environmentally conscious principles into your work?
All miDeer products are hand-made in Estonia. It isn’t and will never be a mass-produced brand. We value collaborating with local artisans in our design process and embrace the tiny quirks of each single item. Secondly, we always pay attention to where our materials come from. Right now, we use excess pieces from a felt factory. This way we can reduce the amount of industrial material that ends up in the environment — by giving new life to the discarded leftovers. What makes our production unique is that we do not mass produce, but make just enough, so that we get to further reuse the materials by creating fashionable accessories. If we think about the future, then the miDeer’s shopping bags, in particular, can effectively replace plastic equivalents in a stylish manner.
How did you come up with such interesting name, miDeer?
We wanted to create something Nordic and minimalist, inspired by the Northern cold climate and the power of nature. To be honest, the logo came before the name. The deer’s horns are majestic, yet strong and powerful — perfect depiction of a unisex Nordic brand. Our name quite directly comes from ‘deer’. It’s something precious and unobtainable in nature, but you can grasp an equivalent feel via our products.
Unisex looks, felt and paper meet in your design. How did you decide to go down the route of such eclectic mix?
The main source of inspiration for the brand is felt, which already speaks to both men and women. A unisex-look wasn’t our goal on it’s own, it just accidentally turned out that way — our first [laptop] bag appealed to both [men and women alike], and then it clicked for us. Nowadays minimalism and unisex design are often seen side by side. The soft texture, yet stiff form of industrial felt make our products durable and help keep their shape. We felt that unisex was written in between the lines, as felt has both feminine and masculine qualities. We like to think that miDeer wearers are free-spirited, brave, fashion-forward people, regardless their age or gender.
What can we look forward to in 2017?
This year we will definitely focus more on fashion and accessories. miDeer will be creating new designs for people who lead an active lifestyle, yet value comfort. So there are great things coming up for the active urban dweller.
Despite being a small company, we want to become a player on the international arena. Clients in Berlin, London and Vilnius have shown keen interest, and we cannot wait to make our products more accessible all over Europe. We have a few exciting surprises in store, so stay in tuned and keep an eye on our website!
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Hailing from Estonia, textile designer Mare Kelpman creates thick blanket-like wool coats that warm up even in the coldest nights of Nordic winter. Kelpman Textile’s latest collection Sophy combines sustainable design, architectural elegance and Nordic simplicity. Her unique patterns laced with asymmetry and artistic colour combinations are beautifully eye-catching. What inspires such magnificent design?, we ask.
Words: Johanna Raudsepp
We love seeing designers with an eco-friendly approach cropping up in the Scandinavian region, but we must admit this way of looking at design has not conquered the world yet. Why have you chosen to pursue sustainable approach in textile design?
For a while I taught at the Estonian Academy of Arts and I always urged my students to think what to do and how to execute it. [I’ve always advised students that] if you don’t have a sustainable idea, then seriously consider, if it’s worth creating at all. Following this path is pricey, which is why it’s marginal – the profit won’t be great nor happen fast. The way I see it, for me there is simply no other way – the joy from creating is far more important than the profit you make. I don’t see any reason to overwhelm the world with even more synthetic things.
What are the setbacks you have experienced following the sustainable route?
I can’t say that I have. More or less so, I have encountered the expected issues of having a small business and finding the right partners, who are flexible to fulfil orders of all sizes. In Estonia, my products were initially received with jaws dropped– what do you mean you’re making wool clothing? Where’s the glamour and affluence usually en vogue in the local fashion scene? I exhibited my products at many foreign fairs and finally got the reassurance I’m doing the right thing. Now I’ve realised that small businesses emphasising natural textiles are emerging, too.
What inspires you in creating different textiles?
Primarily the people who I create for in my head. I feel like I know my potential client quite well. However, focusing only on the commercial side doesn’t work either. I am inspired by rhythms and colours from nature and architecture. What really drives me is conquering technological challenges. You can dream of different fabrics and structures all you want, but it really comes down to the technical ability of the partners. Creating textiles requires a compromise between dreams and reality.
What material do enjoy working with the most?
Right now, my favourite is wool, as you can see from my product range. But every material can be challenging to work with, if you choose the right approach. For example, in the summer season I reach for linen and a little bit of silk as well. Wool is a material for which you don’t have to kill or exhaust dry land, as sheep require shearing. Since I only work with European materials, I know where and how the yarn is created, in what conditions and I can be sure that it’s also certified. I produce all my products and fabrics in Europe and I know those small factories well.
If you had to compare your design to a natural phenomenon, what would it be and why?
Perhaps the refreshing morning dew before a hot day. Freshens the air.
What can we look forward to in 2017?
Hopefully great execution of some fresh ideas. A year ago, I didn’t even plan on having my own store. Now that has been set up and gotten a lot of positive feedback. I like to let life surprise me and am open to new challenges on the way.
Find Mare Kelpman's designs in Tallinn, Estonia, at the Kelpman Textile store, or online at www.marekelpman.eu.